Exhibition of Darja Bajagić "Crucio" in the November Gallery

Our audience had the opportunity to see the works of the artist at the October Salon in 2018, and now they will be presented for the first time in Serbia as part of a solo exhibition since Darja lives in the US and exhibits primarily in European and American galleries and museums. The latest works, canvases created in 2022, will be presented in the November Gallery. The exhibited works explore themes of duality, sacrifice, and transfiguration through mutated fragments of personal photographs and binary theological symbols. The works are made in different techniques - UV printing, acrylic, spray, graphite, oil, and steel.

The exhibition runs from the 25th of May to the 26th of June 2022. Gallery doors are open daily (except Mondays) from 12 to 8 PM; Saturdays, from 10 AM to 6 PM and Sundays, from 10 AM to 2 PM, addr. 22, Kursulina street.

Darja Bajagić was born in 1990 in Podgorica, Montenegro and raised in Egypt and the United States. Bajagić received her MFA from Yale University in 2014. Selected institutional solo exhibitions include Goregeous, Le Confort Moderne, Poitiers (2020); Born Losers, Hessel Museum of Art, Annandale-On-Hudson (2018); Unlimited Hate, Künstlerhaus, Halle für Kunst & Medien (KM–), Graz (2016). Selected group exhibitions have taken place at National Gallery Prague (2021); Casino Luxembourg - Forum d’art contemporain (2020); Futura Centre for Contemporary Art, Prague (2019); Es Baluard Museu d’Art Modern i Contemporani de Palma (2018); Contemporary Art Centre (CAC), Vilnius (2018); LUMA Westbau, Zürich (2017, 2015, 2014); Musée d’Art Moderne de la Ville de Paris (2015); Moderna Museet, Stockholm (2015); Museum of Modern Art in Warsaw (2014); Museo de Arte Contemporáneo de Oaxaca (2014); Museum of Applied Arts (MAK), Vienna (2013). Her work has been included in the 42nd Montenegrin Salon of Visual Arts, Cetinje, ME (2020), the 57th October Salon, Belgrade, RS (2018), and the 13th Baltic Triennial of International Art, Vilnius, LT (2018).